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Gaps in the Fullness of Time: Collected Ambient & Concrete Works from 2018​-​2019

by Jeffrey Alan Gburek

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1.
Listen and Fall In Love With... 09:18
2.
Four Figures of Analogy Collapsed Within One Frame Without Resolution of Identity 12:41
3.
Hong Kong Eyes 10:56
4.
Water Damaged Music Remix 07:18
5.
Sarah of the O'Hara Remix 04:13
6.
Four Figures of Analogy Overlapped and Sliced in the Manner of Fontana Revealing Ulterior Noise Floors 07:55
7.
Kickweeds Radar Radio Mix 05:26
8.
Cult Classics from Cairobi 02:36
9.
Nothing Is Headed Straight For Us 03:19
10.
Palo Novo (Reverb Edition) 05:05
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11.
Did I Mention the Ducks (after reading Alice Notley) 10:17
12.
Soundscape with Bernie Krause Inside 05:44
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about

"I just passed
a swoony time on earth. I did not dig
that there was more"
-- Charles Olson

saying this album was composed in one day is a great lie. and yet, very little has been heard or previewed before today and everything bearing upon it's current incarnation stands transformed by a hard 12 hours or so of hammering and bellowing the forge, those two contrary actions, the yield of which is what passes as a sign here, and what remains on the heap to be heard and taken in by one's own meaning. apex of the eccentric mood of this year of perplexity, angst, heightening. oddly enough, achievements in themselves, joys even.

the sound of us stretches back here at least until 2017 in a few cases. when I say "us", I mean, the sounds were in my care and they did not find place in publications anywhere else until now. some of the sounds come from Jacek Zielinski (tracks 1, 5, 8) and Filippo Panichi (Hong Kong Eyes).

there are sources in Creative Commons that I should find and provide attribution for in in the coming days as I've drawn on interviews and radio transmissions captured on the fly over the past year and a half that are elusive to my memory at the moment but not anonymous. Hang in there, my teams of neurons bees working on that. field recordings come from bulgaria, berlin, krakow and poznan. i play guitars, piano, electronic devices and percussion on site and in the studio (which can be the stairwell or the attic as the case may be).

The album cover was snatched from a post by Eric Wong. Apparently the wash-down of the protest slogan from the walls in Hong Kong.

credits

released December 30, 2019

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AKASHIC RECORDS image

AKASHIC RECORDS Poland

Guitarist, composer, sound designer, field recordist, shortwave radio poet, blending electro-acoustic, electronica, spectral comp., cracked circuits, sounding organic objects with an ear towards earth voices. Studied Javanese and Balinese gamelan and theories of Partch and Xenakis. Working with dance/theater/butoh co. Djalma Primordial Science. More than 400 concerts throughout Europe since 2005. ... more

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